![]() Unknown 12:09 who mentioned that listing songs in a cycle individually may be falsification to a point: You can use the Sub-Genre field to even further segment your rep, ie.I've used the genre field for dividing between Instrumental and Vocal repertoire.When listing composers, it's a good idea to put the last name first for the purpose of alphabetization.Simply add the latest data to the bottom of the spreadsheet, click on the arrows on the lettered columns, and choose "Sort Sheet A -> Z" in order to alphabetize, ie. Here are some things to keep in mind when adding data to the fields: I've listed columns for composer, title of work, title of larger work (if applicable), genre, and sub-genre and added a few commonly known works to give you an idea of how the setup works. Once you've saved the template to your Google account, you can start putting your repertoire on it. This is much more efficient than the old practice of having a word document on your hard drive that you only added to once in a blue moon. #REPERTOIRE LIST TEMPLATE UPDATE#The advantage of a Google Docs spreadsheet is that since it's stored on Google's servers, you can update it from any internet-enabled computer or smartphone. You'll need to create and be signed into a Google account to save the template and start adding your own rep to the spreadsheet. I recommend using a Google Docs spreadsheet for keeping the data in your rep list, and have created a template that you can use for this purpose: It takes a lot of time and regular updating to be able to offer a complete rep list (especially one as jaw-droppingly awesome as Amanda Johnston's) and this post will tell you how you can start, update, and offer one that will impress at hiring time.īack in the old days, those of us diligent enough to be updating our rep lists did so on a weekly or monthly basis, when we would frantically search our books and photocopies, find out what was new, and add it to our list, most often a word document that lived on our home computer.įortunately, things have changed and the process of rep list-building can benefit greatly from the advances made with cloud computing technology. The problem is that very few of us actively maintain a rep list and are able to keep track of what we've played over time. When you're applying for graduate school, a young artist program, or your first staff accompanist position, it's important to be able to present a complete repertoire list so those who are interested in you can get a better sense of the works, styles and genres that you've played so far. Kuchler Concertino in D (Style of Vivaldi) all 3 mvts.One of the most important things about being a collaborative pianist is developing depth of repertoire, whether you choose to specialize in one area or play a wide variety of genres. Wieniawski, Polonaise Brillante in A major, Op. Wieniawski, Polonaise de Concert in D major, Op. Sarasate, Malaguena (in Heifetz – New Favorite Encore Folio) Sarasate, Zapateado (in Heifetz – New Favorite Encore Folio) Saint-Saens, Introduction and Rondo Capriccioso Kreisler Pieces (from collections) and Volume 2 and Volume 3īach, Solo Sonatas and Partitas (Szeryng Ed.) 49īartok, Rumanian Folk Dances (in Solos for Young Violinists, Vol 6) Heifetz-Dinicu, Hora Staccato or in Heifietz Collection Kreisler Praeludium and Allegro or Kreisler Collection Kreisler, Sicilienne and Rigaudon or in Collectionĭvorak, Sonatina or in Solos For Young Violinists Vol. Kreisler/Gluck, Melodie or in Kreisler Collection 1īela Bartok, 44 Duos for Two Violins and Vol 2 Gabriel-Marie, La Cinquantaine in Solos for Young Violinists Vol. Bohm, Introduction and Polanaise in Solos for Young Violinists, Vol. Mollenhauer, The Boy Paganini in Solos for Young VIolinists, Vol. Josef Gingold, Solos for the Violin Player(Allegro Spiritoso, The Bells)Į. Whistler, Introducing the Positions, Bk 1 Kuchler, Concerto in D, (Style of Vivaldi) in Solos for Young Violinists Vol. Karl Bohm, Perpetual Motion from String Festival Solos, Vol IIį. Kabalevsky, Album Pieces for 1 and 2 Violins and PianoĬharles Dancla, 12 Easy Fantasies, Op. Stanley Fletcher, New Tunes for Strings, Book 2Īlfred Moffat, Old Masters for Young PlayersĬonstance Seely Brown, J.S. Stanley Fletcher, New Tunes for Strings, Book 1 Sequence of Violin Repertoire by Mimi Zweig Sequence of Repertoire from Suzuki Books IV-VI.Sequence of Violin Repertoire by Mimi Zweig.You find that most of the titles are links that will bring you directly to a website where you may purchase the music in our preferred editions. They serve as a foundation for much of our instruction at the String Academy and we provide them as a resource for other teachers and students alike. The following violin repertoire lists have been compiled over many years of teaching and experience by Mimi Zweig and Dorothy Delay. ![]()
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